{"id":154,"date":"2025-11-29T22:00:00","date_gmt":"2025-11-29T20:00:00","guid":{"rendered":"https:\/\/modus.hazelab.com\/2025\/2025-11-29-berio-100-sinfonia\/"},"modified":"2025-11-29T22:00:00","modified_gmt":"2025-11-29T20:00:00","slug":"2025-11-29-berio-100-sinfonia","status":"publish","type":"post","link":"https:\/\/modus.hazelab.com\/2025\/2025-11-29-berio-100-sinfonia\/","title":{"rendered":"2025.11.29 Berio 100: Sinfonia"},"content":{"rendered":"<p>\u0160e\u0161tojoje laidoje, skirtoje ital\u0173 kompozitoriaus Luciano Berio (1925-2003) 100-me\u010diui, aptariamas \u017eymiausias k\u016brinys \u2013 Sinfonia (1968) a\u0161tuoniems balsams ir orkestrui. \u0160i manifestin\u0117 ir postmodernizmo muzikoje prad\u017ei\u0105 skelbianti kompozicija sugeria daugyb\u0119 tradicij\u0173: tre\u010diojoje dalyje skamba net 23 demonstratyvios citatos i\u0161 \u012fvairiausi\u0173 klasikin\u0117s, romantin\u0117s, impresionistin\u0117s, moderniosios ir avangardin\u0117s muzikos veikal\u0173, sumontuot\u0173 \u012f ry\u0161k\u0173 grandiozin\u012f kolia\u017e\u0105, koki\u0173 ligtol muzikos istorijoje dar n\u0117ra buv\u0119. Mikrofonais pastiprinti balsai beveik nedainuoja, tik kalba, \u0161nab\u017eda ir r\u0117kauja, tarsi atliepdami anarchi\u0161k\u0105 1968-\u0173j\u0173 student\u0173 jud\u0117jim\u0173 dvasi\u0105.<\/p>\n<div class=\"powerpress_player\" id=\"powerpress_player_96\"><audio class=\"wp-audio-shortcode\" id=\"audio-154-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/modus.hazelab.com\/2025\/wp-content\/uploads\/sites\/21\/2025\/12\/2025-11-29-2755143-berio-100-sinfonia.mp3?_=1\" \/><a href=\"https:\/\/modus.hazelab.com\/2025\/wp-content\/uploads\/sites\/21\/2025\/12\/2025-11-29-2755143-berio-100-sinfonia.mp3\">https:\/\/modus.hazelab.com\/2025\/wp-content\/uploads\/sites\/21\/2025\/12\/2025-11-29-2755143-berio-100-sinfonia.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"https:\/\/modus.hazelab.com\/2025\/wp-content\/uploads\/sites\/21\/2025\/12\/2025-11-29-2755143-berio-100-sinfonia.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/modus.hazelab.com\/2025\/?powerpress_pinw=154-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"https:\/\/modus.hazelab.com\/2025\/wp-content\/uploads\/sites\/21\/2025\/12\/2025-11-29-2755143-berio-100-sinfonia.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"2025-11-29-2755143-berio-100-sinfonia.mp3\">Download<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>\u0160e\u0161tojoje laidoje, skirtoje ital\u0173 kompozitoriaus Luciano Berio (1925-2003) 100-me\u010diui, aptariamas \u017eymiausias k\u016brinys \u2013 Sinfonia (1968) a\u0161tuoniems balsams ir orkestrui. \u0160i manifestin\u0117 ir postmodernizmo muzikoje prad\u017ei\u0105 skelbianti kompozicija sugeria daugyb\u0119 tradicij\u0173: tre\u010diojoje dalyje skamba net 23 demonstratyvios citatos i\u0161 \u012fvairiausi\u0173 klasikin\u0117s, romantin\u0117s, impresionistin\u0117s, moderniosios ir avangardin\u0117s muzikos veikal\u0173, sumontuot\u0173 \u012f ry\u0161k\u0173 grandiozin\u012f kolia\u017e\u0105, koki\u0173 ligtol muzikos [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-154","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/posts\/154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/comments?post=154"}],"version-history":[{"count":0,"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/posts\/154\/revisions"}],"wp:attachment":[{"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/media?parent=154"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/categories?post=154"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/tags?post=154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}