{"id":152,"date":"2025-11-22T22:00:00","date_gmt":"2025-11-22T20:00:00","guid":{"rendered":"https:\/\/modus.hazelab.com\/2025\/2025-11-22-berio-100-komentaru-metodai\/"},"modified":"2025-11-22T22:00:00","modified_gmt":"2025-11-22T20:00:00","slug":"2025-11-22-berio-100-komentaru-metodai","status":"publish","type":"post","link":"https:\/\/modus.hazelab.com\/2025\/2025-11-22-berio-100-komentaru-metodai\/","title":{"rendered":"2025.11.22 Berio 100: Komentar\u0173 metodai"},"content":{"rendered":"<p>Penktojoje laidoje, skirtoje ital\u0173 kompozitoriaus Luciano Berio (1925-2003) 100-me\u010diui, aptariama jo specifi\u0161ka k\u016brybos savyb\u0117. Berio m\u0117gsta kurti naujas savo k\u016brini\u0173 versijas, pl\u0117sdamas atlik\u0117j\u0173 sud\u0117tis ir ankstesnes kompozicijas patalpindamas \u012f naujas garsines aplinkas. Taip jis komentuoja savo k\u016bryb\u0105, tyrin\u0117damas ir analizuodamas originalus, atrasdamas nauj\u0173 turimos med\u017eiagos savybi\u0173 ir i\u0161m\u0117gindamas kitokiomis s\u0105lygomis. \u201eAtliktas darbas niekada neb\u016bna baigtas. Net ir \u201eu\u017ebaigtas\u201c darbas yra ritualas ir komentaras to, kas buvo prie\u0161 j\u012f, to, kas seks po jo, nelyg klausimas, kuris nei\u0161provokuoja atsakymo, o tik komentar\u0105 ir dar vien\u0105 klausim\u0105\u201c, sako kompozitorius.<\/p>\n<div class=\"powerpress_player\" id=\"powerpress_player_5383\"><audio class=\"wp-audio-shortcode\" id=\"audio-152-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/modus.hazelab.com\/2025\/wp-content\/uploads\/sites\/21\/2025\/11\/2025-11-22-2753170-berio-100-komentaru-metodai.mp3?_=1\" \/><a href=\"https:\/\/modus.hazelab.com\/2025\/wp-content\/uploads\/sites\/21\/2025\/11\/2025-11-22-2753170-berio-100-komentaru-metodai.mp3\">https:\/\/modus.hazelab.com\/2025\/wp-content\/uploads\/sites\/21\/2025\/11\/2025-11-22-2753170-berio-100-komentaru-metodai.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"https:\/\/modus.hazelab.com\/2025\/wp-content\/uploads\/sites\/21\/2025\/11\/2025-11-22-2753170-berio-100-komentaru-metodai.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/modus.hazelab.com\/2025\/?powerpress_pinw=152-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"https:\/\/modus.hazelab.com\/2025\/wp-content\/uploads\/sites\/21\/2025\/11\/2025-11-22-2753170-berio-100-komentaru-metodai.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"2025-11-22-2753170-berio-100-komentaru-metodai.mp3\">Download<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Penktojoje laidoje, skirtoje ital\u0173 kompozitoriaus Luciano Berio (1925-2003) 100-me\u010diui, aptariama jo specifi\u0161ka k\u016brybos savyb\u0117. Berio m\u0117gsta kurti naujas savo k\u016brini\u0173 versijas, pl\u0117sdamas atlik\u0117j\u0173 sud\u0117tis ir ankstesnes kompozicijas patalpindamas \u012f naujas garsines aplinkas. Taip jis komentuoja savo k\u016bryb\u0105, tyrin\u0117damas ir analizuodamas originalus, atrasdamas nauj\u0173 turimos med\u017eiagos savybi\u0173 ir i\u0161m\u0117gindamas kitokiomis s\u0105lygomis. \u201eAtliktas darbas niekada neb\u016bna baigtas. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-152","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/posts\/152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/comments?post=152"}],"version-history":[{"count":0,"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/posts\/152\/revisions"}],"wp:attachment":[{"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/media?parent=152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/categories?post=152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2025\/wp-json\/wp\/v2\/tags?post=152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}