{"id":273,"date":"2024-02-03T22:00:00","date_gmt":"2024-02-03T20:00:00","guid":{"rendered":"https:\/\/modus.hazelab.com\/2024\/2024-02-03-nono-dialektinis-kontrapunktas-protui\/"},"modified":"2024-02-03T22:00:00","modified_gmt":"2024-02-03T20:00:00","slug":"2024-02-03-nono-dialektinis-kontrapunktas-protui","status":"publish","type":"post","link":"https:\/\/modus.hazelab.com\/2024\/2024-02-03-nono-dialektinis-kontrapunktas-protui\/","title":{"rendered":"2024.02.03 Nono: Dialektinis kontrapunktas protui"},"content":{"rendered":"<p>Antroji ital\u0173 avangardo klasiko Luigi Nono (1924-1990) \u0161imtme\u010diui skirto ciklo laida. 1960 m. i\u0161band\u0119s elektronin\u0119 kompozicij\u0105, Nono \u0161ios sferos niekuomet nei\u0161si\u017eada: absoliuti dauguma jo v\u0117lesni\u0173 k\u016brini\u0173 vienaip ar kitaip yra su elektronika, \u012fra\u0161ais ir \u012fvairiais garso transformavimo efektais. Ta\u010diau pagrindinis kompozitoriaus d\u0117mesys nukreiptas \u012f politines aktualijas: j\u012f jaudina pasaulio \u012fvykiai ir, jo nuomone, visur vyraujanti neteisyb\u0117. Nono demonstruoja palankum\u0105 Ryt\u0173 Europos ir Kinijos autoritariniams re\u017eimams, nors t\u0173 kra\u0161t\u0173 vald\u017ei\u0105 laiko bur\u017euazi\u0161kai reakcinga ir apie tai kalba visi\u0161kai atvirai.<\/p>\n<div class=\"powerpress_player\" id=\"powerpress_player_4996\"><audio class=\"wp-audio-shortcode\" id=\"audio-273-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/modus.hazelab.com\/2024\/wp-content\/uploads\/sites\/20\/2025\/09\/2024-02-03-2186802-nono-dialektinis-kontrapunktas-protui.mp3?_=1\" \/><a href=\"https:\/\/modus.hazelab.com\/2024\/wp-content\/uploads\/sites\/20\/2025\/09\/2024-02-03-2186802-nono-dialektinis-kontrapunktas-protui.mp3\">https:\/\/modus.hazelab.com\/2024\/wp-content\/uploads\/sites\/20\/2025\/09\/2024-02-03-2186802-nono-dialektinis-kontrapunktas-protui.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"https:\/\/modus.hazelab.com\/2024\/wp-content\/uploads\/sites\/20\/2025\/09\/2024-02-03-2186802-nono-dialektinis-kontrapunktas-protui.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/modus.hazelab.com\/2024\/?powerpress_pinw=273-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"https:\/\/modus.hazelab.com\/2024\/wp-content\/uploads\/sites\/20\/2025\/09\/2024-02-03-2186802-nono-dialektinis-kontrapunktas-protui.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"2024-02-03-2186802-nono-dialektinis-kontrapunktas-protui.mp3\">Download<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Antroji ital\u0173 avangardo klasiko Luigi Nono (1924-1990) \u0161imtme\u010diui skirto ciklo laida. 1960 m. i\u0161band\u0119s elektronin\u0119 kompozicij\u0105, Nono \u0161ios sferos niekuomet nei\u0161si\u017eada: absoliuti dauguma jo v\u0117lesni\u0173 k\u016brini\u0173 vienaip ar kitaip yra su elektronika, \u012fra\u0161ais ir \u012fvairiais garso transformavimo efektais. Ta\u010diau pagrindinis kompozitoriaus d\u0117mesys nukreiptas \u012f politines aktualijas: j\u012f jaudina pasaulio \u012fvykiai ir, jo nuomone, visur vyraujanti [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-273","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/posts\/273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/comments?post=273"}],"version-history":[{"count":0,"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/posts\/273\/revisions"}],"wp:attachment":[{"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/media?parent=273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/categories?post=273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/tags?post=273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}