{"id":271,"date":"2024-02-10T22:00:00","date_gmt":"2024-02-10T20:00:00","guid":{"rendered":"https:\/\/modus.hazelab.com\/2024\/2024-02-10-nono-kvepavimo-aiskumas\/"},"modified":"2024-02-10T22:00:00","modified_gmt":"2024-02-10T20:00:00","slug":"2024-02-10-nono-kvepavimo-aiskumas","status":"publish","type":"post","link":"https:\/\/modus.hazelab.com\/2024\/2024-02-10-nono-kvepavimo-aiskumas\/","title":{"rendered":"2024.02.10 Nono: Kv\u0117pavimo ai\u0161kumas"},"content":{"rendered":"<p>Tre\u010dioji ital\u0173 avangardo klasiko Luigi Nono (1924-1990) \u0161imtme\u010diui skirto ciklo laida. Nono stilius palengva kinta, jo muzikoje vis daugiau ramyb\u0117s, skaidrumo ir sukauptumo. Jis ra\u0161o nepaprasto erdvumo vokalin\u0119 muzik\u0105, kontempliatyvumu artim\u0105 Renesanso meistr\u0173 k\u016brybai, tuo labai skirdamasis nuo daugumos am\u017einink\u0173. Nono atspirties ta\u0161ku da\u017eniausiai tampa poetinio teksto fonetin\u0117s ir semantin\u0117s savyb\u0117s, jis tarsi atsiduoda literat\u016brin\u0117s minties t\u0117kmei. Tokia m\u0105stysena i\u0161laikoma ir jo instrumentin\u0117je k\u016bryboje, kur vie\u0161patauja vos girdimi garsai, \u0161naresiai, virptel\u0117jimai ir paslaptingi nutolimai.<\/p>\n<div class=\"powerpress_player\" id=\"powerpress_player_8476\"><audio class=\"wp-audio-shortcode\" id=\"audio-271-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/modus.hazelab.com\/2024\/wp-content\/uploads\/sites\/20\/2025\/09\/2024-02-10-2192953-nono-kvepavimo-aiskumas.mp3?_=1\" \/><a href=\"https:\/\/modus.hazelab.com\/2024\/wp-content\/uploads\/sites\/20\/2025\/09\/2024-02-10-2192953-nono-kvepavimo-aiskumas.mp3\">https:\/\/modus.hazelab.com\/2024\/wp-content\/uploads\/sites\/20\/2025\/09\/2024-02-10-2192953-nono-kvepavimo-aiskumas.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"https:\/\/modus.hazelab.com\/2024\/wp-content\/uploads\/sites\/20\/2025\/09\/2024-02-10-2192953-nono-kvepavimo-aiskumas.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/modus.hazelab.com\/2024\/?powerpress_pinw=271-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"https:\/\/modus.hazelab.com\/2024\/wp-content\/uploads\/sites\/20\/2025\/09\/2024-02-10-2192953-nono-kvepavimo-aiskumas.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"2024-02-10-2192953-nono-kvepavimo-aiskumas.mp3\">Download<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Tre\u010dioji ital\u0173 avangardo klasiko Luigi Nono (1924-1990) \u0161imtme\u010diui skirto ciklo laida. Nono stilius palengva kinta, jo muzikoje vis daugiau ramyb\u0117s, skaidrumo ir sukauptumo. Jis ra\u0161o nepaprasto erdvumo vokalin\u0119 muzik\u0105, kontempliatyvumu artim\u0105 Renesanso meistr\u0173 k\u016brybai, tuo labai skirdamasis nuo daugumos am\u017einink\u0173. Nono atspirties ta\u0161ku da\u017eniausiai tampa poetinio teksto fonetin\u0117s ir semantin\u0117s savyb\u0117s, jis tarsi atsiduoda literat\u016brin\u0117s [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-271","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/posts\/271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/comments?post=271"}],"version-history":[{"count":0,"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/posts\/271\/revisions"}],"wp:attachment":[{"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/media?parent=271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/categories?post=271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/tags?post=271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}