{"id":269,"date":"2024-02-17T22:00:00","date_gmt":"2024-02-17T20:00:00","guid":{"rendered":"https:\/\/modus.hazelab.com\/2024\/2024-02-17-nono-klausymosi-tragedija\/"},"modified":"2024-02-17T22:00:00","modified_gmt":"2024-02-17T20:00:00","slug":"2024-02-17-nono-klausymosi-tragedija","status":"publish","type":"post","link":"https:\/\/modus.hazelab.com\/2024\/2024-02-17-nono-klausymosi-tragedija\/","title":{"rendered":"2024.02.17 Nono: Klausymosi tragedija"},"content":{"rendered":"<p>Modus. Ketvirtoji ital\u0173 avangardo klasiko Luigi Nono (1924-1990) \u0161imtme\u010diui skirto ciklo laida. Nono visada atidus teatrinei rai\u0161kai: ceremoni\u0161kumo ir ry\u0161kios retorikos gest\u0173 netr\u016bksta net ir instrumentin\u0117je ir elektronin\u0117je jo muzikoje. Ta\u010diau su ypatinga j\u0117ga tai pasirei\u0161kia trijuose jo teatriniuose veikaluose. Oper\u0105 \u201eNepakantumas 1960\u201c galima laikyti ekspresionistine socialine drama, scenin\u0119 akcij\u0105 \u201ePo kar\u0161ta meil\u0117s saule\u201c (1975) \u2013 politikuojan\u010di\u0173 deklaracij\u0173 teatru, o monumental\u0173 devyni\u0173 scen\u0173 k\u016brin\u012f \u201ePromet\u0117jas. Klausymosi tragedija\u201c \u2013 filosofiniu pasaulio istorijos apibendrinimu.<\/p>\n<div class=\"powerpress_player\" id=\"powerpress_player_991\"><audio class=\"wp-audio-shortcode\" id=\"audio-269-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/modus.hazelab.com\/2024\/wp-content\/uploads\/sites\/20\/2025\/09\/2024-02-17-2197984-nono-klausymosi-tragedija.mp3?_=1\" \/><a href=\"https:\/\/modus.hazelab.com\/2024\/wp-content\/uploads\/sites\/20\/2025\/09\/2024-02-17-2197984-nono-klausymosi-tragedija.mp3\">https:\/\/modus.hazelab.com\/2024\/wp-content\/uploads\/sites\/20\/2025\/09\/2024-02-17-2197984-nono-klausymosi-tragedija.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"https:\/\/modus.hazelab.com\/2024\/wp-content\/uploads\/sites\/20\/2025\/09\/2024-02-17-2197984-nono-klausymosi-tragedija.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/modus.hazelab.com\/2024\/?powerpress_pinw=269-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"https:\/\/modus.hazelab.com\/2024\/wp-content\/uploads\/sites\/20\/2025\/09\/2024-02-17-2197984-nono-klausymosi-tragedija.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"2024-02-17-2197984-nono-klausymosi-tragedija.mp3\">Download<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Modus. Ketvirtoji ital\u0173 avangardo klasiko Luigi Nono (1924-1990) \u0161imtme\u010diui skirto ciklo laida. Nono visada atidus teatrinei rai\u0161kai: ceremoni\u0161kumo ir ry\u0161kios retorikos gest\u0173 netr\u016bksta net ir instrumentin\u0117je ir elektronin\u0117je jo muzikoje. Ta\u010diau su ypatinga j\u0117ga tai pasirei\u0161kia trijuose jo teatriniuose veikaluose. Oper\u0105 \u201eNepakantumas 1960\u201c galima laikyti ekspresionistine socialine drama, scenin\u0119 akcij\u0105 \u201ePo kar\u0161ta meil\u0117s saule\u201c (1975) [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-269","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/posts\/269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/comments?post=269"}],"version-history":[{"count":0,"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/posts\/269\/revisions"}],"wp:attachment":[{"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/media?parent=269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/categories?post=269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2024\/wp-json\/wp\/v2\/tags?post=269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}