{"id":381,"date":"2023-07-08T22:00:00","date_gmt":"2023-07-08T19:00:00","guid":{"rendered":"https:\/\/modus.hazelab.com\/2023\/2023-07-08-ligeti-operos-perversija\/"},"modified":"2023-07-08T22:00:00","modified_gmt":"2023-07-08T19:00:00","slug":"2023-07-08-ligeti-operos-perversija","status":"publish","type":"post","link":"https:\/\/modus.hazelab.com\/2023\/2023-07-08-ligeti-operos-perversija\/","title":{"rendered":"2023.07.08 Ligeti: Operos perversija"},"content":{"rendered":"<p>Septintojoje Gy\u00f6rgy Ligeti (1923-2006) \u0161imtme\u010diui skirto ciklo laidoje pristatoma vienintel\u0117 didel\u0117 kompozitoriaus opera \u201eLe Grand Macabre\u201c (Did\u017eioji mirtis, arba Didysis siaub\u016bnas, 1974-1977). Autorius j\u0105 ra\u0161\u0117 13 met\u0173 ir pasitelk\u0117 nepaprastai \u012fvairias priemones: fars\u0105, parodij\u0105, humor\u0105, grotesk\u0105, absurd\u0105, erotizm\u0105 ir daugyb\u0119 i\u0161kraipyt\u0173 klasikos citat\u0173. Ligeti veikal\u0105 vadino anti-antiopera, remdamasis Alfredo Jarry, siurrealist\u0173 ir absurdo teatro estetika. Kompozitoriui talkino lietuv\u0117 scenograf\u0117 Aliut\u0117 Me\u010dys, pasi\u016bliusi belgo Michelio de Ghelderode\u2018s (1898-1962) pjes\u0119 apie fantasmagori\u0161k\u0105 Breigelando karalyst\u0119, valdom\u0105 kraugeri\u0161ko diktatoriaus Nekrocaro, supamo \u012fvairiausi\u0173 prisitaik\u0117li\u0173, pataik\u016bn\u0173 ir i\u0161kryp\u0117li\u0173.<\/p>\n<div class=\"powerpress_player\" id=\"powerpress_player_7982\"><audio class=\"wp-audio-shortcode\" id=\"audio-381-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/modus.hazelab.com\/2023\/wp-content\/uploads\/sites\/19\/2025\/09\/2023-07-08-2030492-ligeti-operos-perversija.mp3?_=1\" \/><a href=\"https:\/\/modus.hazelab.com\/2023\/wp-content\/uploads\/sites\/19\/2025\/09\/2023-07-08-2030492-ligeti-operos-perversija.mp3\">https:\/\/modus.hazelab.com\/2023\/wp-content\/uploads\/sites\/19\/2025\/09\/2023-07-08-2030492-ligeti-operos-perversija.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"https:\/\/modus.hazelab.com\/2023\/wp-content\/uploads\/sites\/19\/2025\/09\/2023-07-08-2030492-ligeti-operos-perversija.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/modus.hazelab.com\/2023\/?powerpress_pinw=381-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"https:\/\/modus.hazelab.com\/2023\/wp-content\/uploads\/sites\/19\/2025\/09\/2023-07-08-2030492-ligeti-operos-perversija.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"2023-07-08-2030492-ligeti-operos-perversija.mp3\">Download<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Septintojoje Gy\u00f6rgy Ligeti (1923-2006) \u0161imtme\u010diui skirto ciklo laidoje pristatoma vienintel\u0117 didel\u0117 kompozitoriaus opera \u201eLe Grand Macabre\u201c (Did\u017eioji mirtis, arba Didysis siaub\u016bnas, 1974-1977). Autorius j\u0105 ra\u0161\u0117 13 met\u0173 ir pasitelk\u0117 nepaprastai \u012fvairias priemones: fars\u0105, parodij\u0105, humor\u0105, grotesk\u0105, absurd\u0105, erotizm\u0105 ir daugyb\u0119 i\u0161kraipyt\u0173 klasikos citat\u0173. Ligeti veikal\u0105 vadino anti-antiopera, remdamasis Alfredo Jarry, siurrealist\u0173 ir absurdo teatro estetika. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-381","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/posts\/381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/comments?post=381"}],"version-history":[{"count":0,"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/posts\/381\/revisions"}],"wp:attachment":[{"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/media?parent=381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/categories?post=381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/tags?post=381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}