{"id":341,"date":"2023-11-25T22:00:00","date_gmt":"2023-11-25T20:00:00","guid":{"rendered":"https:\/\/modus.hazelab.com\/2023\/2023-11-25-apie-dirbtines-aplinkas-joanna-bailie\/"},"modified":"2023-11-25T22:00:00","modified_gmt":"2023-11-25T20:00:00","slug":"2023-11-25-apie-dirbtines-aplinkas-joanna-bailie","status":"publish","type":"post","link":"https:\/\/modus.hazelab.com\/2023\/2023-11-25-apie-dirbtines-aplinkas-joanna-bailie\/","title":{"rendered":"2023.11.25 Apie dirbtines aplinkas: Joanna Bailie"},"content":{"rendered":"<p>Brit\u0117 Joanna Bailie (g. 1973) studijavo elektronin\u0119 muzik\u0105 Olandijoje ir JAV, o dabar gyvena Berlyne. Jos k\u016bryba \u2013 tai akustin\u0117s ir elektronin\u0117s muzikos hibridizavimas su lauko \u012fra\u0161ais, girdimojo ir regimojo pasaulio apjungimas. Kompozitor\u0117 nevengia pasitelkti kit\u0173 autori\u0173 \u2013 Debussy, Beethoveno, Rossinio, taip pat \u0161iuolaikini\u0173 \u2013 muzikos fragment\u0173, tod\u0117l jos metod\u0105 kritikai vadina \u201epl\u0117\u0161ikaujan\u010diu po\u017ei\u016briu \u012f praeities muzik\u0105\u201c. Kita vertus, specifi\u0161kai remiksuotos Bailie kompozicijos gana artimos ambiento ir konkre\u010diosios muzikos tradicijoms.<\/p>\n<div class=\"powerpress_player\" id=\"powerpress_player_5914\"><audio class=\"wp-audio-shortcode\" id=\"audio-341-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/modus.hazelab.com\/2023\/wp-content\/uploads\/sites\/19\/2025\/09\/2023-11-25-2134585-apie-dirbtines-aplinkas-joanna-bailie.mp3?_=1\" \/><a href=\"https:\/\/modus.hazelab.com\/2023\/wp-content\/uploads\/sites\/19\/2025\/09\/2023-11-25-2134585-apie-dirbtines-aplinkas-joanna-bailie.mp3\">https:\/\/modus.hazelab.com\/2023\/wp-content\/uploads\/sites\/19\/2025\/09\/2023-11-25-2134585-apie-dirbtines-aplinkas-joanna-bailie.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"https:\/\/modus.hazelab.com\/2023\/wp-content\/uploads\/sites\/19\/2025\/09\/2023-11-25-2134585-apie-dirbtines-aplinkas-joanna-bailie.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/modus.hazelab.com\/2023\/?powerpress_pinw=341-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"https:\/\/modus.hazelab.com\/2023\/wp-content\/uploads\/sites\/19\/2025\/09\/2023-11-25-2134585-apie-dirbtines-aplinkas-joanna-bailie.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"2023-11-25-2134585-apie-dirbtines-aplinkas-joanna-bailie.mp3\">Download<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Brit\u0117 Joanna Bailie (g. 1973) studijavo elektronin\u0119 muzik\u0105 Olandijoje ir JAV, o dabar gyvena Berlyne. Jos k\u016bryba \u2013 tai akustin\u0117s ir elektronin\u0117s muzikos hibridizavimas su lauko \u012fra\u0161ais, girdimojo ir regimojo pasaulio apjungimas. Kompozitor\u0117 nevengia pasitelkti kit\u0173 autori\u0173 \u2013 Debussy, Beethoveno, Rossinio, taip pat \u0161iuolaikini\u0173 \u2013 muzikos fragment\u0173, tod\u0117l jos metod\u0105 kritikai vadina \u201epl\u0117\u0161ikaujan\u010diu po\u017ei\u016briu \u012f [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-341","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/posts\/341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/comments?post=341"}],"version-history":[{"count":0,"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/posts\/341\/revisions"}],"wp:attachment":[{"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/media?parent=341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/categories?post=341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2023\/wp-json\/wp\/v2\/tags?post=341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}