{"id":385,"date":"2022-06-25T22:00:00","date_gmt":"2022-06-25T19:00:00","guid":{"rendered":"https:\/\/modus.hazelab.com\/2022\/2022-06-25-xenakis-ir-architektura\/"},"modified":"2022-06-25T22:00:00","modified_gmt":"2022-06-25T19:00:00","slug":"2022-06-25-xenakis-ir-architektura","status":"publish","type":"post","link":"https:\/\/modus.hazelab.com\/2022\/2022-06-25-xenakis-ir-architektura\/","title":{"rendered":"2022.06.25 Xenakis ir architekt\u016bra"},"content":{"rendered":"<p>Iannio Xenakio 100-me\u010diui skirto ciklo penktojoje laidoje pasakojama apie Xenakio architekt\u016brin\u0119 veikl\u0105. Xenakis keliolika met\u0173 dirbo Le Corbusier biure, su juo k\u016br\u0117 Turet\u0117s vienuolyn\u0105, \u010candigaro miest\u0105, Marselio ir Nanto komunalinius pastatus. Geriausiai \u017einomas j\u0173 bendras darbas buvo \u201ePhilips\u201c paviljonas Briuselio pasaulin\u0117je parodoje 1958 metais. Xenakio architekt\u016brin\u0117s id\u0117jos buvo tampriai susijusios su jo muzikiniais sumanymais ir strukt\u016bromis. Jis iki pat senatv\u0117s projektavo \u012fvairius pastatus ir skelb\u0117 architekt\u016brines teorijas, ta\u010diau labiausiai i\u0161gars\u0117jo hibridiniais, jo muzik\u0105 ir architekt\u016br\u0105 jungusiais multimedijos projektais, kuriuos vadino politopais.<\/p>\n<div class=\"powerpress_player\" id=\"powerpress_player_6030\"><audio class=\"wp-audio-shortcode\" id=\"audio-385-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/modus.hazelab.com\/2022\/wp-content\/uploads\/sites\/18\/2025\/09\/2022-06-25-1727121-xenakis-ir-architektura.mp3?_=1\" \/><a href=\"https:\/\/modus.hazelab.com\/2022\/wp-content\/uploads\/sites\/18\/2025\/09\/2022-06-25-1727121-xenakis-ir-architektura.mp3\">https:\/\/modus.hazelab.com\/2022\/wp-content\/uploads\/sites\/18\/2025\/09\/2022-06-25-1727121-xenakis-ir-architektura.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"https:\/\/modus.hazelab.com\/2022\/wp-content\/uploads\/sites\/18\/2025\/09\/2022-06-25-1727121-xenakis-ir-architektura.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/modus.hazelab.com\/2022\/?powerpress_pinw=385-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"https:\/\/modus.hazelab.com\/2022\/wp-content\/uploads\/sites\/18\/2025\/09\/2022-06-25-1727121-xenakis-ir-architektura.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"2022-06-25-1727121-xenakis-ir-architektura.mp3\">Download<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Iannio Xenakio 100-me\u010diui skirto ciklo penktojoje laidoje pasakojama apie Xenakio architekt\u016brin\u0119 veikl\u0105. Xenakis keliolika met\u0173 dirbo Le Corbusier biure, su juo k\u016br\u0117 Turet\u0117s vienuolyn\u0105, \u010candigaro miest\u0105, Marselio ir Nanto komunalinius pastatus. Geriausiai \u017einomas j\u0173 bendras darbas buvo \u201ePhilips\u201c paviljonas Briuselio pasaulin\u0117je parodoje 1958 metais. Xenakio architekt\u016brin\u0117s id\u0117jos buvo tampriai susijusios su jo muzikiniais sumanymais ir [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-385","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/modus.hazelab.com\/2022\/wp-json\/wp\/v2\/posts\/385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modus.hazelab.com\/2022\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/modus.hazelab.com\/2022\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2022\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/modus.hazelab.com\/2022\/wp-json\/wp\/v2\/comments?post=385"}],"version-history":[{"count":0,"href":"https:\/\/modus.hazelab.com\/2022\/wp-json\/wp\/v2\/posts\/385\/revisions"}],"wp:attachment":[{"href":"https:\/\/modus.hazelab.com\/2022\/wp-json\/wp\/v2\/media?parent=385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2022\/wp-json\/wp\/v2\/categories?post=385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/modus.hazelab.com\/2022\/wp-json\/wp\/v2\/tags?post=385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}